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Albergo La Pineta. Hotel Villaggio Hotel La Pineta is a welcoming 3-star hotel immersed in the pines of Erice, a fascinating site in the province of Trapani, surrounded by a Medieval wall, not far from the peak of the mountain that is home to the Temple of Venus. Belvedere B and B. Bed and breakfast Located at the foot of Mount Erice and about meters from the beach of Trapani and the cableway station for Erice. B and B Terrazza In Collina. Bed and breakfast Relax between nature and sea. Luce Boutique BB. Hotel Suite Duomo. BnB La Martellina. David Inn Hostel. Hostel Meet " David " in Florence, your smart Hostel.

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Guesthouse A small inn with 5 rooms 3 with private bath in the center of Florence. Ciopik's House. Hotel Relais Il Cestello. Affittacamere Freda Lucia. Relais Campanile. Bed and breakfast Lovely small bed and breakfast in the center of the center of Florence. Affittacamere Soggiorno Campos. Bed and breakfast The Soggiorno Campos is a small and charming bed and breakfast completely renewed.

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Backpackers Florence Hostel. Art Bed And Breakfast. Hotel Berna. Albergo Firenze. Hotel Albergo Firenze, a pearl in heart of ancient Florence, offers you a warm welcome together with nice affordable rooms. Hotel Garden. That's Italy Apartments. Soggiorno Rondinelli. Hotel Da Verrazzano. Hostel B and B Maison. Hostel 7 Santi. Hostel A recently converted 19th century convent. Hotel Spagna. Hotel The Hotel Spagna is located in the heart of Florence city center, just a short walk to the Cathedral and the trainstation. Novella Inn.

Guesthouse Is a new centrally located guest house in an 15 th Centry Palazzo just off the romantic Arno river. Affittacamere Violi Agostino. Luana B and B. B and B Giardino di Leopolda.

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Hotel Castri. Le Ginestre B and B de charme. Hotel Cellai. Apartment Three-roomed apartment near Statuto station in Florence. Hotel De La Ville. Hotel Luxury four stars superior hotel, the best location in city centre good value for money , completely renovated on Dante Apartment. Apartment acious apartment with 2 bedrooms, living room, kitchen and two bathrooms with shower, one for each room. Florence Duomo Apartments 3 Dees. Apartment Spacious apartment with 2 bedrooms, living room, kitchen and two bathrooms with shower, one for each room.

Leone X. Bed and breakfast Located in the most beautiful residential area, next to the city center. Apartment Rentals in Florence Center. Apartment Two bedroom Apartments with all comfort located in the center. Palazzo Alfani. Apartment Wonderful apartments in historic residence facing Michelangelo's David. Florence Lilly Apartments. Holiday homes The apartment "Novella" can accomodate up to 4 people. La Residenza dell'Orafo. Poggio Del Sole. Hotel Poggio del Sole is a little cosy hostel at the foot of the mountain, walking distance from the beach.

Rotonda Sul Mare. Self catering Holiday Apartments right on the beach. Residence Villa Tina. Apartment Residence special offers hostel's form. Casa Per Ferie Santa Maria. Villa Baiera. Holiday homes Private country apartments on the hills of Rome, 12 km far rome airport; wifi, parking, special price.

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  8. Hotel Hotel by the sea. Residenza Via Vignola. Apartment A charming and quiet Resort in the historical centre of Galatina, not far from Sea. Hotel Excelsior Gambarie. Locanda Dell'Agresto. Hotel Hotel e Ristorante. Hotel Bologna. Hotel cheap and very good value hotel. Essiale Bed and Breakfast.

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    Emma B and B. Antica Residenza Del Gallo. Alle Bifore Guest House. Guesthouse An elegant guest house located in the historic center of Lucca. Al Tuscany. Bed and breakfast This will be your home away from home in the heart of Lucca, the jewel of Tuscany Bed and Breakfast Arcobaleno. Bed and breakfast Situated close to the city centre, railway station and motorway exit.

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    Sosta A Levante. Initially, Ayers had wanted to come off the title: "I didn't like Kirby's pencilling of Sgt Fury and asked off after the 3rd issue. I got a shoulder holster and. There'd always be a script for me every time I delivered my pencils," Ayers recalled. I was asked to pencil tight leaving the blacks and tones for the inker.

    Ayers' early work was rediscovered in and reprinted by AC Comics, although due to Marvel's copyright on a different character named Ghost Rider, the original had to became Haunted Horseman. Discovering the reprints, Ayers agreed to draw some new episodes. In the new millennium, Ayers has continued to draw occasionally, contributing pin-ups and a number of short stories to benefit and tribute comics Actor Comics Presents, , The 3-Minute Sketchbook, ; The Uncanny Dave Cockrum , Ayers' son, Rich, has also drawn comics.

    Chris Bachalo born August 23, Chris Bachalo is an American comic book illustrator known for his quirky, cartoon-like style. Beginning in April, Chris illustrated his creator-owned series Steampunk. Bachalo was born in Canada but was raised in Southern California. He has told interviewers that, as a child, he wanted to be a carpenter until he discovered he was allergic to dust. He attended the California State University at Long Beach, where he majored in graphic art and illustrated a few underground comics.

    After graduation, Bachalo sought work in the mainstream comic book industry. His first published assignment was The Sandman 12 Jan. Although before working on that issue, DC had already hired him as the regular artist for Shade, the Changing Man, an older property revived as an adult-oriented series by writer Peter Milligan. His early s style is minimalist with strong, thick lines, quirky characters and little concern for realism. Bachalo did not shy away from detailed landscapes but showed a rare penchant for pages with many small panels. Based on the success and fanfare from X-Men Unlimited 1, in , Bachalo ended his stint on Shade and began working for Marvel Comics.

    He then illustrated the first three issues of Ghost Rider , one of in a line of series reinventing popular Marvel characters in the year He also drew a cover for Runaways. The group Lobdell and Bachalo created, Generation X, was purposely bizarre and idiosyncratic because the two wanted to avoid the recent trend in superhero teams, where each team member represented a recognizable stock character.

    Bachalo illustrated the series through much of its first three years, taking a break in late and early to illustrate the second Death miniseries, Death: The Time of Your Life. Heavily influenced by Joe Madureira, Bachalo's characters became more cartoony and manga-like, with large eyes, heads and hands. He gravitated towards extremes in anatomy, drawing characters that were previously portrayed as bulky, short, or thin as even more so. In , Bachalo launched Steampunk, a comic book series inspired by the genre of fiction of the same name, which emulates early science fiction and in an alternate version of the early s.

    The series was criticized for Bachalo's overly detailed pencils, small panels and muddy dark coloring, which sometimes made it difficult to discern what was happening. Similarly, Joe Kelly's writing was not as straightforward as a mass audience typically preferred. Contrarily, the book's supporters praised it for those same reasons, as well as for the sheer imagination of the characters and story. The series, intended to be 25 issues, ended prematurely after the second story arc in issue In an attempt to humanize Steve Rogers, the pair managed to split fans opinions fairly resoundingly with both leaving the title - Morales 10 issues short of his intended contract for the series.

    He was often filled-in for by artist Humberto Ramos, however. Bachalo has also pencilled and coloured a number of cards for the Vs. These have been renditions of both Marvel and DC characters. On top of his continuing work for Marvel, Bachalo finished issue 7 of Comicraft's Elephantmen, an issue 4 years in the making.

    The issue was done entirely in double-page spreads and marks his reunion with Steampunk writer Joe Kelly. Bachalo has also been one of the four artists who was originally part of the Spider-Man Relaunch. Antonio Fabela is a regular colorist of Bachalo's work. Source: Wikipedia. Geoffrey William Backhouse 16 November - 1 August ; b.

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    Holywell, Flintshire, Wales In , Backhouse began drawing Strongheart the Magnificent for Comic Life , the comic strip adventures of a magnificent German Shepherd modelled on a canine Hollywood film star. Strongheart, one of the earliest adventure strips to regularly appear in British comics, continued his adventures when Comic Life was relaunched as My Favourite and would continue to appear, drawn by a number of different artists, until After the war, Backhouse illustrated a number of books for Collins, including Mr.

    Backhouse subsequently contributed many wildlife illustrations to Look and Learn and Treasure , appearing in the former from onwards. Some of his most notable contributions were for a series of short animal stories written by F. Mars, Alan C. Jenkins and F. Turnbull that appeared in He died in Tollington Park, London N4, in Backhouse art. Jim Baikie Baikie began his career illustrating Valentine for Fleetway. Over the next twenty years, he built a solid reputation working for TV comics such as Look-in, including adaptations of The Monkees and Star Trek , all scripted by Angus P.

    Baikie also worked extensively in girls' comics such as Jinty. In the s, he drew The Twilight World in Warrior. In Britain, he is probably best known for collaborating with Alan Moore on Skizz , a reworking of the film E. Baikie has also worked extensively in the United States, on superhero strips such as Batman and The Spectre. A new collaboration with Alan Moore also appeared in the guise of the First American. Jim Baikie art. There followed various careers in photography, journalism and television. The latter was shooting television commercials on film and hosting a children's television show.

    He then entered the field of aviation art, and became known worldwide in the genre for creating oil paintings of military action and having the veterans sign lithographs made from them. Movie producer George Lucas came across Robert's aviation art website and asked him to work on Star Wars. Lucas was sufficiently impressed by Robert's work to purchase originals for his private collection. Robert has gone on to create similar work for sale at comic conventions.

    His favourite characters are C3PO and Yoda, although he recreates the full spectrum of Star Wars characters in pencil. He is now retired from oil painting but finds that pencil is more fluid and scenes can be created far faster this way. The number of fans at Comic-Cons who purchase Robert's original movie creations has increased in leaps and bounds over the past four years, and he loves to meet all of the fans who attend. Besides being a licensed Star Wars and Disney artist, Robert is now also licensed for Marvel characters, after having been approached by the Marvel licensor.

    Characters are mostly The Avengers and Spider Man. Stan Lee, creator of Spider Man, says that Robert is his favourite artist. Source: Robert Bailey. Bill Baker Bill Baker is something of a mystery artist. Although it is possible to track his work through various comics over a twenty-year period, very little is known about the artist himself.

    He first appears with one-off stories in Top Spot , followed by a brief serial, New Rider at Clearwater , and illustrations for Girl in Rider Haggard, Bill Baker art. James Bama born 28 April ; USA James Bama is an American artist whose work encompasses two major strands: his Western paintings and what can be described - but not dismissively - as pulp art. To the collector, his name is inextricably linked with the adventures of Doc Savage and the paperback covers he illustrated during his time as a commercial artist.

    He then turned to fine art, which proved even more rewarding commercially and raised his status to Artist and earned him comparisons with Norman Rockwell and N. James E. Bama was born in Manhattan on 28 April , the second son of Benjamin Bama, a Russian-born apron salesman, and his wife Selma, also the daughter of Russian immigrants.

    Army Air Corps' Eastern Flying Training Command unit in , where he worked as a mechanic and physical training instructor, as well as painting murals. He became known especially for the 62 covers he painted for Bantam Books' reprints of Doc Savage pulp magazine stories. Clark Savage Jr had been the star of full-length adventures in the pages of Doc Savage Magazine , of them written by prolific pulpster Lester Dent.

    Bama gave Doc a buzz cut, replacing the kiss-curl of his pulp days, and beefed him up, using Steve Holland, a muscular fashion model who had starred in the Flash Gordon TV series in , as the basis for his vision of Doc Savage. The books sold incredibly well and all stories were reprinted between and Although much of his early work was Western covers for the likes of Louis L'Amour and Zane Grey, Bama quickly expanded his cover art repertoire to include everything from contemporary novels, thrillers, romances and non-fiction.

    Lovelace and Frankenstein by Mary Shelley Bama then changed tack after first visiting Wyoming in ; he and his wife, Lynn, a photographer whom he met in , moved permanently to Cody, Wyoming, in During this period he transited from illustration to making more personal works, often inspired by his new surroundings.

    Much of his work was of contemporary Western and Native American subjects ; wildlife and mountain men feature against stunning Wyoming backdrops. Bama is inspired by real inhabitants of the state, visiting reservations and meeting trappers and cowboys; his prices rapidly escalated and, within three years, he was making far more than he had as an illustrator. He also sought inspiration in travel, to China, Mexico, Tibet and Turkey. His work is to be found in the collections of Clint Eastwood, Nicholas Cage and Malcolm Forbes as well as numerous galleries.

    Bama, who has lived in Wapati, Wyoming, since , remains a keen on physical training, regularly doing heavy exercise even in his eighties. He is a keen reader and movie viewer. Of Greek Cypriot descent, and speaking only Greek, he has said that it was the discovery of comics at the age of four that helped him learn English, although this form of education was not appreciated by some. One English teacher was thoroughly frustrated that he was always reading comics and his collection - with TV21 being his comic of choice - was thrown out by his mother along with his Marvels and DCs!!

    This only led to him becoming more determined to create his own comics. In he co-founded the on-line comic Aces Weekly with David Lloyd. Edgar Henry Banger 27 February - ; Norwich, Norfolk, UK Edgar Henry Banger rhymes with 'danger' - or as he was known, Harry Banger - was born in Norwich, UK and was well known for his amazing cartoon illustrations from and most proficient through the s in which his colourful characters were included in comics such as Rattler, Dazzler, Rocket and Bouncer.

    His artwork was also well recognised through Norfolk, being a regular cartoonist for the local papers such as The Eastern Daily Press, Evening News and the Norwich City Football club paper The Pink Un, in which a lot of his tongue in cheek cartoons were mostly Football based.

    He was famous for the characters Canary and Dumpling featuring debonair characters with a cartoon Canary or Dumpling head in the Norwich city Colours. He did most of his work from home in his small studio room in the back of the terrace house that he lived in at Wood Street Norwich, with his wife Maud Banger, daughter Yvonne, and sons Ray and Neville. He died in at the age of Source: ukcomics.

    Severino Baraldi born , Italy Severino Baraldi was born on 10 December in Sermide, a small village 50 kilometres from Mantova in the Lombardy region of northern Italy. As a boy, he entertained customers of the local barber by with his chalk drawings on the pavement. He worked as a carpenter, drawing cartoons for a local paper whose editor encouraged him to seek his fortune in the capital of the Lombardy region.

    Ulisse and Ciuffo Biono were praised by the reviewer for Radiotelevisione Italiana for their elegant illustrations, which helped to establish the name of the artist who often signed his work with the abbreviation Bar. At the same time, Baraldi was illustrating the story of Marco Polo and, for Milan publisher Casa Editirice, a variety of other books for children. For seven years, Baraldi was also a prolific illustrator for the British magazine Look and Learn.

    More recently, Baraldi illustrated biographies of musicians Dvorak and Verdi for a publisher in Taiwan. In all, Baraldi has contributed to over books and produced 7, illustrations. The village of Sermide dedicated an exhibition to his work in June He continued to work for Famiglia Cristiana and Il Giornalino until retiring a few years ago. Now he is content to be a family man, the father of three daughters and six grandchildren. Severino Baraldi art. Stefan Steven Barani Stefan Barany has proved to be a particularly elusive artist. Best known for his cover artwork for the Sexton Blake Library , he seems to have appeared almost nowhere else, although the cover art from a issue of Princess Picture Library has been offered by the Illustration Art Gallery.

    Over the next few months he was the main Blake cover artist; a number of titles involved Barany combining images with other artists' work, including one image by Bruno Elettori, but primarily with Angel Badia Camps. His last cover was Lotus Leaves and Larceny, issue , April Stefan Barani art. To Barks goes the praise for creating many of the inhabitants of Duckburg, the supporting cast featured in Walt Disney's Comics and Stories for which Barks was drawing in the s.

    Although he had a brother two years older , Barks described himself as a rather lonely child, his nearest neighbour being over half a mile away from his parents' farm. The local school had only eight or ten students although Barks later recalled that it offered a good education. In the family moved to Midland, Oregon, closer to the railroad, where they established a new stock-breeding farm. The immediate success of this venture meant that within three years the family were able to move to Santa Rosa, California, where William began cultivating vegetables and orchards.

    Profits were slim and William's anxiety over their financial difficulties led to a nervous breakdown and the family returned to Merrill in In he moved to San Francisco, California, and found work with a small publishing firm. His early interest in drawing had been developed through a correspondence course, although Barks had only taken four lessons because he had so little free time. Now in San Francisco and, in , married to Pearl Turner, he began selling drawings to newspapers. Despite returning to Merrill in with his growing family two daughters born in and , he continued to submit drawings and sold to Judge and the Calgery Eye-Opener.

    He and Pearl were divorced in and Barks met Clara Balken in Minneapolis and married her in He worked initially as an "inbetweener", drawing the movements of characters between key poses. In , his success at submitting gags led to his transfer to the story department where he first worked on the Donald Duck cartoon Modern Inventions. Over the next few years he contributed to a number of Donald's cartoons, including the first appearance of Huey, Dewey and Louie in Donald's Nephews Barks suffered from sinus problems caused by the air conditioning in the Walt Disney art studio and left in Barks, did, however, establish himself with Dell's Walt Disney's Comics and Stories as both the author and artist of numerous stories.

    Rockerduck and Magica De Spell During this time, Barks divorced his second wife and became acquainted with his third, Margaret Wynnfred Williams, known as Gare, who exhibited paintings locally. They married in Although Barks' work was published anonymously, his name became known to fans around He continued to draw strips until when he retired, although he was persuaded to script stories until the s. He painted in oils and exhibited and sold at local art shows. In , he was granted permission by Disney's Publications Department to paint scenes from his various stories.

    When fans learned of this, Barks was inundated with requests and had to announce in that he was no longer taking commissions. Duck paintings by Barks began to attract large sums at auction and unauthorized prints led to Disney withdrawing permission from Barks. The ambitious Carl Barks Library was published in , the thirty volumes reprinting every Disney comic strip written or drawn by Barks.

    Barks appeared at his first Disney convention in and, in , embarked on an country tour of Europe. A retrospective of Barks' work was first held in and was shown around ten cities, attracting over , visitors. In the s, Barks had moved to Grants Pass, Oregon, close to where he grew up. His wife died in March Barks survived a further seven years before he also died whilst undergoing chemotherapy for leukaemia, on 25 August , aged Carl Barks art.

    Ken Barr Ken Barr is famous for his many covers for Commando comics in the early s and for his many Marvel magazine covers in the s and s. He was also a prolific cartoon artist, his gags - populated by wide-eyed folk and often signed Lezz - appearing regularly from the mids in Punch, Private Eye, the Daily Sketch, Daily Mirror and the Spectator. The character he made his own from the late s was I-Spy, in a serial in Sparky about a special agent whose face was hidden but whose cloak concealed myriad gadgets, used in animated fashion.

    Later, as IPC tried to re-energise the waning comic market with the irreverent Oink! A founder member of the Cartoonists' Club of Great Britain in , with a then unknown Ronald Searle, he became treasurer for 20 years. He encouraged many young cartoonists to persevere in this most unsecure profession. Dad left school at 14 and was a dispatch rider with the Royal Corps of Signals as D-day neared. A motorcycle accident led him to retrain as a draughtsman, and as a self-taught artist, he began submitting cartoons to publications in his spare time during a posting to Lagos, Nigeria.

    He worked as a war artist for the Sun during the Falklands conflict, thanks to a dearth of photos in the early stages. He worked well into his 80s, having diversified into greetings cards and revisiting his talent for caricature as an on-the-spot artist at corporate events. He loved having an audience, once describing the best as "intelligent, well educated and a little drunk". He is survived by my mother, Dorothy, myself, and my siblings, Lisa, Peter and Samantha. Les Barton was born on 8 December in Wareham, Dorset.

    A self-taught artist, he started work at the age of fourteen as a telegraph clerk. His first published cartoon appeared in the Militant Miner in After the war Les Barton worked as a photographic retouching artist and commercial artist in advertising, and also drew strips for IPC and D. Barton drew political cartoons and caricatures for The Statist in and , and during the Falkands War in he was staff war artist on the Sun. He died in Hayes, Middlesex, on 20 October Born in Essex in , and growing up in Leigh-on-Sea during the Second World War, he witnessed dogfights between British and German aircraft in the Essex skies and, even at the age of four, put pencil to paper to draw scenes of aerial combat.

    The Essex coastline was one of the expected invasion points in Hitler's planned attack on a Britain softened up by the Luftwaffe, and Batchelor's early years were spent surrounded by fascinating military hardware, from tanks to machine guns. By the age of seven he could strip and reassemble a. He left home at 16, travelling for two years before performing his National Service with the R.

    Batchelor began drawing for the technical publications of Bristol Aircraft Co. One of his last jobs for Saunders-Roe was on the plans for a nuclear-powered version of the ultimately cancelled ten-engined Princess flying-boat. In the early s he turned freelance, contributing to Model Maker and Model Cars. Some of his earliest drawings were cutaways for the Eagle comic; in all he produced 44 episodes making him the joint fourth most prolific contributor. His illustrations also appeared in Ranger and Tell Me Why.

    He also worked for the far more prestigious markets, including Time-Life Books, which led to his involvement in one of the most ambitious projects in publishing history: Purnell's History of the Second World War. Launched in under the overall editorship of Sir Basil Liddell-Hart, this massive partwork--for which Batchelor producing a total of 1, illustrations--had sold 10 million copies by To celebrate this momentous achievement, Batchelor was presented, by Douglas Bader, a solid silver model of a British Saladin armoured car from his grateful publisher. He continued his association with Purnell as they launched History of the First World War and Encyclopedia of Modern Weapons and Warfare, which added to a total of almost 20 million copies sold.

    Many of the illustrations were reprinted in book form during the s the bibliography below is likely to be incomplete and has also illustrated a wide range of other books--and continues to do so. He has also drawn countless illustrations for the American magazine, Popular Science and has had his paintings exhibited around the world. Since the mids, he has also produced artwork for postage stamps via the Crown Agency for 40 countries around the globe, including many for the British Commonwealth. In he launched his own company, Publishing Solutions, to reprint selections of his work.

    Source: Steve Holland John Batchelor art. Bateman was noted for his "The Man Who His father had left England for Australia in at the age of 21 to seek his fortune, then returned to England briefly in before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'.

    He had one sister, Phyllis, three years younger. Henry was always drawing from an early age, consistently producing funny drawings that told stories. He was inspired by comics, and he had a keen critical eye, and was enthusiastically drawing at every available moment. At the age of fourteen he had already decided that he would draw for publication. In , the cartoonist Phil May, in response to a letter from Rose, showed interest in his drawings, and that year he was inspired by an exhibition of black-and-white art at the Victoria and Albert Museum.

    His father had initially decided that his son should follow him into business, but eventually, after many arguments between him and Rose, his father financed his study at the Westminster School of Art which he commenced at the age of sixteen. He did well, but was bored by the lifeless "life" classes and after qualifying at Westminster transferred his study to the New Cross Art School now the Goldsmith Institute. He also did some practical work at the studio Charles van Havenmaet. Bateman's first solo exhibition in was at the Brook Street Gallery, Mayfair.

    His first contract was in , for ten drawings and two illustrations in a fourpenny monthly magazine called The Royal. At the age of 17, his style was already that of a mature artist. Bateman greatly influenced the style of American cartoonist Harvey Kurtzman.

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    Bateman was chosen by art instructor Percy V. Bradshaw as one of the artists to illustrate "The Art of the Illustrator", a celebrated collection of twenty portfolios demonstrating six stages of a single painting or drawing by twenty different artists and published in He married Brenda Collison Wier and they had two children, Diana and Monica, both of whom became artists.

    They lived at Curridge, just north of Newbury, Berkshire. In later life, he carried on an increasingly acrimonious battle with the Inland Revenue. His final years were spent on the island of Gozo. A centenary celebration of his work was exhibited at Festival Hall on London's south bank in Source: Wikipedia H M Bateman art. Terry Bave born ; UK One of the stalwarts of British humour strips, Terry Bave retired in to enjoy some well-earned rest after worked in comics for 40 years.

    Terence H. Bave was born in Bristol, Gloucestershire, in Inspired by American films and comics, which Bave sought out at newsagents selling American newspapers, he began drawing at an early age. His general education was disrupted by family moves and being twice evacuated during World War II. Bave estimated he attended eleven schools in as many years. It was here that he met Sheila Newton, who subsequently also worked at the Post Office bank. From filling the margins and covers of his exercise books to posting regular topical cartoons on the Post Office bank notice board, Bave decided to turn his artistic inclinations into a career.

    At the age of seventeen he joined the Colonial Survey Department as a trainee cartographer, drawing maps with the aid of aerial photography. With this success in specialist magazines, Bave sought out others and, by the late s, was also publishing regularly in Do-It-Yourself , TV Times , Fire!

    By then, he had joined a firm of commercial map makers but was contemplating another move. A commission to draw a cartoon design for a dog ointment carton led to an offer of work as a packaging designer for Stable Cartons Ltd. Jourdan Ltd. At the same time, he became the art editor of The 9. In , and still keen to work in comics, Bave targeted Wham! Bave and his wife created their own character, Baby Whamster , a half-pager which they also scripted; he proved immediately popular as a mascot for Wham! Bave was determined to make a go of comics and used every opportunity to learn more about what his audience wanted, particularly by involving himself in the school attended by his son, Russell born in He helped with the school magazine, performed as a ventriloquist at school fetes and wrote a school play.

    With the addition of work for annuals and worked sourced locally including posters, letterheads, leaflets, display advertising, cartoons, etc. However, Wham! Bave found work on annuals via King Leo Studios but that had all but dried up when the Baves received a letter from Jack Le Grand offering them work on a new paper. Bave created some thirteen possible strips and was invited to write with Sheila and draw however many he could reasonably cope with on a weekly basis. The new comic Cor!! In , Bave and his family moved to a bungalow in Bembridge, on the Isle of Wight, where he and Sheila were to live for over forty years.

    When Cor!! By then, Bave had established himself with rivals D. Terry Bave art. Leo Baxendale 27 October - 23 April ; UK Leo Baxendale has been one of the few artists in Britain to advance humour strips in the past sixty years. His work has been frenetic and violent at times, subtle and thought-provoking at others. No other artist has argued the case of humour in British comics as strongly as Baxendale and few if any have the credentials to back up their arguments so soundly.

    Born in Whittle-le-Woods, Lancashire, on 27 October , Baxendale had a grammar school education; as an artist he was self-taught. Between and he served with the catering corps. Thomson 's The Beano , a comic he had read as a child, and was immediately accepted, his first original character appearing in , Little Plum your Redskin Chum , followed shortly afterwards by Minnie me Minx , intended as a female counterpart to the popular Dennis.

    His third Beano set was the single panel "When the Bell Rings", later to become a full-page strip under the title The Bash Street Kids , Baxendale's first strip to introduce a team of characters. The atmosphere of total mayhem that Baxendale was developing was certainly at odds with the traditional humour strip, particularly those of the Amalgamated Press, Thomson's main rivals. A contemporary of Baxendale's, Ken Reid, was similarly minded, and The Beano was unrivalled for humour at that time.

    Ten years of tremendous output for relatively little reward left Baxendale suffering from exhaustion and depression, and after contracting pneumonia he left the firm following an invitation from Odhams Press to create a new humour title; this Baxendale did, and Wham! Most of the strips were passed on to other artists to continue after the first issue, and Baxendale even succeeded in tempting Ken Reid from Thomson's. Such was the success of the title that Smash! Baxendale's interest in politics inspired him to publish a weekly two-page newsletter, Strategic Commentary , written by radical strategist Terence Heelas, which he published for two-and-a-half years Baxendale drew for Eppo in Holland whilst preparing a case against Thomson's for recognition as creator of his many Beano characters which had continued under various different artists.

    The case finally came to a mutually agreeable but undisclosed settlement in after seven years. Baxendale celebrated the result with the release of Thrrp! In he returned to the comic strip with I Love You Baby Basil , a weekly strip for the Guardian newspaper, which he continued to draw until March Most are autobiographical with an emphasis on Baxendale's views of comedy. Lewis and J. Pauline Baynes was born in Hove, Sussex. For a few years she was raised in India, where her father was commissioner in Agra, but she and her elder sister were sent back to England for their schooling.

    She spent much of her childhood in Farnham, studying at the Farnham School of Art now the University for the Creative Arts and eventually attended the Slade School of Fine Art, but after a year there she volunteered to work for the Ministry of Defence, where she made demonstration models for instruction courses. This work did not last long. She was soon transferred to a map-making department, where she acquired skills that she later employed when she drew maps of Narnia for Lewis and of Middle-earth for Tolkien.

    Baynes is probably best known for her covers and interior illustrations for The Chronicles of Narnia by C. Lewis, seven books published, one volume a year, from to the first five by Geoffrey Bles, the last two by The Bodley Head.

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    Lewis HarperCollins, , by Brian Sibley. According to a School Library Journal review, "the artwork includes full-page illustrations in glowing color". When she began work on the Narnia books she was already the chosen illustrator of Lewis's friend and colleague J. These, it turned out, had been sent to the publishers "on spec" by the then-unknown Pauline Baynes.

    Tolkien demanded that the creator of these drawings be set to work illustrating Farmer Giles of Ham and was delighted with the subsequent results, declaring that Pauline Baynes had "reduced my text to a commentary on her drawings". Further collaboration between Tolkien and his Farmer Giles illustrator followed, and a lifelong friendship developed Later, when she showed him her artwork for a poster featuring Frodo and Bilbo Baggins, the author nodded approvingly and murmured quietly: "There they are, there they are. Baynes also painted the covers for two British paperback editions of The Lord of the Rings in one volume in and in three volumes in and produced illustrated poster versions of the maps from The Lord of the Rings and The Hobbit.

    However, Baynes's own favourite among her works was the set of illustrations she provided for A Dictionary of Chivalry, edited by Grant Uden Longman, , a project that required two years to complete. As a result, she won the Kate Greenaway Medal from the Library Association for the year's best children's book illustration by a British subject. In a retrospective citation, the Library Association calls it "a reference work that details the life and thoughts of knights". As a reference book it is unique among the winning works and only one other Greenaway Medal in almost sixty years has been awarded for the illustration of non-fiction.

    Baynes also illustrated The Borrowers Avenged by Mary Norton , the fifth and final book in the Borrowers series, following the death of Diana Stanley, who had illustrated the previous four books. Baynes did the covers for a Puffin edition of the entire series issued in the s. J Beaven; UK J Beaven is known to be the artist who created the picture shown left of an Elizabethan Theatre used in a piece jigsaw puzzle created in the s by G. This picture was also used for a Macmillan Educational poster in the s. Walter Bell Walter Bell was an artist of English children's comics.

    He was able to copy the styles of most of his contemporaries, so he was often assigned too fill in for other artists during the artists' holidays or illnesses. He created some characters of his own when he became a freelancer, working at an art studio and later running a studio himself. He also did cover illustrations for the weekly Illustrated Chips, until he took over the back-page panel Casey Court for ten years. From then on, Bell expanded his activities and took on a variety of independent weekly comics.

    In , Bell began working exclusively for Amalgamated Press. Amalgamated Press was not amused by Bell's contributions to these rival publications and reduced his assignments. Therefore, Bell began drawing for the comic supplements of national and local newspapers. He also took over George W. He later worked for several one-shot comic books at P.

    In his retirement, Bell drew cartoons for his local newspaper, the Barnet Press, until his death in He began his career at an early age, drawing illustrations for published by Montuoro and vignettes for the weekly Sior Tonin Bonagrazia. This Strauss was a tantalizing bit of future glory! I thought of the great soprano Eileen Farrell, who married a cop, sang jazz and settled in Staten Island.

    What a glorious voice. Thanks for evoking the thought, Felicia Moore. I have heard this aria many times and I vividly recall my mentor and beloved voice teacher Bertha Lang playing the recording sung by the immortal American baritone Lawrence Tibbett and teaching it to me phonetically. I loved singing it and ironically Lawrence Tibbett who also was a film star, sang the role only once in his lifetime.

    I have seen Mr. His precision was seemingly at ease and the precision was perfect. By the time this tour de force was over, the audience was wild with enthusiasm. I had tears in my eyes to hear it so beautifully rendered. Michael Fennelly was the brilliant and enthusiastic accompanist for this group of singers. He is as good as it gets, and being a Californian, he brings pianistic sunshine to all. Jane Shaulis announced some surprise encores. Powerful stuff! William Guanbo Su sang it beautifully, without the pianissimo ending.

    Now that our ears were filled with the sound of beautiful music, it was time for a delicious dinner provided by the members. Judy and I lived in Murray Hill in It was with renewed joy that we returned for such a splendid evening thanks to the folks at Opera Index. Each and every one a star and all friendly — not distant stars. The Gerda Lissner Foundation has long been a source of assistance and scholarships for young talented singers.

    Steve De Maio introduced host Midge Woolsey and he received much applause after several months absence. Steve also introduced the gifted accompanist Arlene Shrut. She seemed equally at home in the upper and lower registers of her voice and this enhanced the text as smoothly as a trip at dusk on Schroon Lake in autumn. Brown can sing either Aida or Amneris — or both — lie in waiting for this talented young lady. She is versatile and has real style! Bottoms sang with such emotion following the rhythm of this song without overt sobbing, one could hear the passion and conviction in her tone. Farley has a beautiful upper register, exotic tonality and an inner spirit that can lead to unlimited possibilities.

    Chung sang it with insouciance, whimsical tone, good humor, strong dialogue, power and passion and carried us all away with this bedazzling piece wanting us all to hear more! It is so tender and melodic that it resonates in my mind from that film for over 70 years. Lyons has a rare power of expression plus a lustrous soprano that should carry her far. Caruso made a recording of it with the composer at the piano on April 8, , in Milan, and practically every tenor has sung it since.

    Tagliavini had a sweet lyric tenor and a resourceful top. These legendary and iconic singers had instantly recognizable voices and personalities that endeared them to the public. That is what we hope for with this new group of talented singers. Chen sang in a delightful tenor with an Italianate edge emphasizing the high tenor notes that rang freely through the room. In Thrill of a Romance. Chen will not be forgotten since he was one of the great highlights of the evening. Liszt was always torn between the boudoir and the monks robes and had a lot of passion in his works.

    A combination of brilliance and despair that had us mesmerized. Justin Austin is a singer of strength and passion. The brilliant accompaniment of pianist Arlene Shrut was the beat of Mr. His voice was reassuring in its versatility from thrilling highs to burnished lows. I was happy to be seated next to the MetOpera legend mezzo Rosalind Elias, who offered me a mint when something had me coughing. Thank you so much! The delicious finger foods and wines were sumptuous and we returned to Brooklyn with happy musical memories.

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    It was probably a taxi like vehicle but it was a brightly lit magical pumpkin taking us home from the ball! Martina Arroyo welcomed one and all and truly is a beacon of light for the promotion of young opera singers. The Gala chair was Gary Spector, who spoke briefly and introduced the host for the evening, the iconic Nimet Habachy from WQXR radio whose honeyed speaking voice has charmed millions for decades.

    He recalled his memories of iconic soprano Shirley Verrett and the charming, witty great Italian basso Cesare Siepi. Estes regretted not singing with Martina Arroyo. In earlier days on the rise, he recalls singing for 84 companies. He teaches master classes throughout the country and currently is a professor at Iowa State University. I remember Simon Estes when I was a young man in Bensonhurst, Brooklyn and I loved the special richness and power of his voice. To me, he was always a pioneer and a hero. It was humbling to meet and greet the great Simon Estes.

    The second awardee was Rufus Wainwright singer, songwriter and opera composer. I was surprised and inspired by his opera Prima Donna which evoked some of the best in Louise by Charpentier and Tosca by Puccini — but had its own distinct sound and momentum. Wainwright, looking Mephistophelian in red including his shoes, told the audience of his talented singing parents and his boyhood in Toronto, Canada. Music was all around the house and opera gave them all harmonic happiness. Brea sang with a lovely mezza voce and rhapsodic full voice.

    She floated tones heaven bound and reached ecstatic vocal climaxes that dazzled and thrilled. Maestro Stephen Crawford caught all of the color and sparkling radiance of the music in his superb accompaniment. Louise was a unique opera and composer Gustave Charpentier wrote a sequel called Julien but it never surpassed Louise. Enrico Caruso courted his American bride Dorothy in his Julien costume.

    I met her at The Brooklyn Academy of Music in She was in her late seventies and lecturing on her autobiography that was just published. In , she became the head of the Chicago Opera. Her film of Thais made her even more notorious. She never sang as a member of the Metropolitan Opera but had a long career in Chicago and she did appear with Enrico Caruso in concert. Judy and I honeymooned at Essex House in and to see and hear two such singers so rhapsodically entwined recalled the memory.

    Their voiced blended beautifully and Mr. Yoon was an ardent suitor and she equally so. The next performance was by tenor WooYoung Yoon. Yoon has a sweet and vibrant tenor with good projection and even flow. He added embellishments to embellishments giving us a double thrill. His upper voice is manly and stratospheric and he seems very comfortable in those high altitudes. Stephen Crawford ably accompanied Mr. Yoon and the thrill was brought forward with this partnership.

    Maestro Anton Coppola now years of age attended with his beloved wife Almerinda. We met them at the Columbus Club a few years before when he wrote a song for her, a former ballerina he married long ago. Bravo Maestro! Maestro Coppola was given a mike and he addressed Martina Arroyo with some hilarious repartee in a loud clear voice. She responded with wit and wisdom and the audience in on the joke laughed heartily.

    A superb dinner followed and much good talk. Former Met mezzo, the effervescent Nedda Casei, was with us as was her most charming friend Diane Gallagher. The debonair Robert Steiner and Faith Pleasanton were also at our table. Her father, the late Demetrio Arroyo, worked as a supervisor at the Brooklyn Navy Yard to help pay for his talented daughter and who today is the great Metropolitan Opera legend, pioneer and source of delight as a teacher and head of the Martina Arroyo Foundation.